Communication
Communication (from Latin commūnicāre, meaning "to share") is the act of conveying intended meanings from one entity or group to another through the use of mutually understood signs and semiotic rules.
Communication Design
Communication design is a mixed discipline between design and information-development which is concerned with how media intervention such as printed, crafted, electronic media or presentations communicate with people. A communication design approach is not only concerned with developing the message aside from the aesthetics in media, but also with creating new media channels to ensure the message reaches the target audience. Some designers use graphic design and communication design interchangeably due to overlapping skills.
Design
Design is the creation of a plan or convention for the construction of an object, system or measurable human interaction (as in architectural blueprints, engineering drawings, business processes, circuit diagrams, and sewing patterns). Design has different connotations in different fields (see design disciplines below). In some cases, the direct construction of an object (as in pottery, engineering, management, coding, and graphic design) is also considered to use design thinking.
Space
Space is the boundless three-dimensional extent in which objects and events have relative position and direction. Physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework.
Space
Kant's attitude toward Newton's absolute space is somewhat confused. At times he defends the absoluteness... At other times he presents his own arguments in favor of the relativity of space and motion. ...At any rate the problem of the absoluteness of space and time in classical science refers not to the essence of space and time (a problem which would degenerate into one of metaphysics, hence would be meaningless to the scientists), but solely to a discussion of those conceptions which are demanded of the world of experience. Hence we may realise that a man ignorant of mechanics is in no position to pass an opinion one way or the other. And Kant's knowledge of Newtonian mechanics was extremely poor, to say the least.
A. D'Abro, The Evolution of Scientific Thought from Newton to Einstein (1927) footnote, p. 417-418
Space
[T]he program which Immanuel Kant proposed back in the 1760s... was this: our knowledge of the outside world depends on our modes of perception... Unfortunately, a great revolution took place in or about the year 1768, when he read a paper by Euler which intended to show that space was indeed absolute as Newton had suggested and not relative as Leibnitz suggested. (...in the eighteenth century the question of whether Newton's... or Leibnitz's view of the world was right profoundly affected all philosophy.) After reading Euler's argument... Kant... for the first time proposed that... we must be conscious of [absolute space] a priori. ...Kant died in 1804, long before new ideas about space... had been published... And since one of the things that happened in [our] lifetime has been the substitution of... a Leibnitz universe, the universe of relativity, for Newton's universe... we should think that out again.
Jacob Bronowski, The Origins of Knowledge and Imagination (1978) Ref: Kant, "Concerning the Ultimate Foundations of the Differentiation of Regions in Space" (1768) in Kant: Selected Precritical Writings and Correspondence with Beck Tr. and Intro., G. B. Kerford and D. E. Walford (1968)
Design
People think it's this veneer — that the designers are handed this box and told, 'Make it look good!' That's not what we think design is. It's not just what it looks like and feels like. Design is how it works.
Steve Jobs (2003), as quoted in Rob Walker, "The Guts of a New Machine", The New York Times Magazine, 30 November 2003
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