Faculty of Philology and Journalism

Among us, the so-called "higher criticism," which reigns supreme in the domain of philology has also taken possession of our historical literature. This higher criticism has been the pretext for introducing all the anti-historical monstrosities that a vain imagination could suggest. Here we have the other method of making the past a living reality; putting subjective fancies in the place of historical data; fancies whose merit is measured by their boldness, that is, the scantiness of the particulars on which they are based, and the peremptoriness with which they contravene the best established facts of history.

The press is like the air, a chartered libertine.

Controversy? You can't be any kind of reporter worthy of the name and avoid controversy completely. You can't be a good reporter and not be fairly regularly involved in some kind of controversy. And I don't think you can be a great reporter and avoid controversy very often, because one of the roles a good journalist plays is to tell the tough truths as well as the easy truths. And the tough truths will lead you to controversy, and even a search for the tough truths will cost you something. Please don't make this play or read as any complaint, it's trying to explain this goes with the territory if you're a journalist of integrity. That if you start out a journalist or if you reach a point in journalism where you say, "Listen, I'm just not going not touch anything that could possibly be controversial," then you ought to get out.