Cracow, Poland

Film and new Media Studies

Filmoznawstwo i wiedza o nowych mediach

Bachelor's
Table of contents

Film and new Media Studies at UJ

Language: PolishStudies in Polish
Subject area: arts
Kind of studies: full-time studies, part-time studies
  • Description:

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Definitions and quotes

Film
A film, also called a movie, motion picture, theatrical film, or photoplay, is a series of still images that, when shown on a screen, create the illusion of moving images. (See the glossary of motion picture terms.)
Media Studies
Media studies is a discipline and field of study that deals with the content, history, and effects of various media; in particular, the mass media. Media studies may draw on traditions from both the social sciences and the humanities, but mostly from its core disciplines of mass communication, communication, communication sciences, and communication studies. Researchers may also develop and employ theories and methods from disciplines including cultural studies, rhetoric (including digital rhetoric), philosophy, literary theory, psychology, political science, political economy, economics, sociology, anthropology, social theory, art history and criticism, film theory, feminist theory, and information theory.
New Media
New media are forms of media that are native to computers, computational and relying on computers for distribution. Some examples of new media are websites, mobile apps, virtual worlds, multimedia, computer games, human-computer interface, computer animation and interactive computer installations.
Film
A film is a boat which is always on the point of sinking - it always tends to break up as you go along and drag you under with it.
Francois Truffaut interview in Peter Graham's The New Wave (1968).
Film
Photography is truth. The cinema is truth twenty-four times per second.
Jean-Luc Godard, Le Petit Soldat (film) (direction and screenplay, 1960)
Film
… a pastime for helots, a diversion for uneducated, wretched, worn-out creatures who are consumed by their worries, … a spectacle which requires no concentration and presupposes no intelligence,… which kindles no light in the heart and awakens no hope other than the ridiculous one of someday becoming a ‘star’ in Los Angeles.
Georges Duhamel, describing cinema, Scènes de la vie future (1930), p. 58.

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